By painting everyday or nearly unremarkable scenes, I work with images that resist clear definition and gradually move toward the edge of visibility. What interests me is not what is shown, but the moment when the image begins to loosen, when form, figure, and background stop separating clearly from each other. In these works, perception does not settle into stable recognition.
Instead, it fluctuates between presence and near disappearance,
where even simple motifs can feel uncertain, incomplete, or in the
process of fading. I am interested in this fragile state of the image — when it is still readable, but already slipping away — and in how painting can hold
this instability without resolving it into a fixed meaning.